“… cult, absolutely original, ultra-powerful and new.” Carlos Marín, El Diario
Playing his first time ever in Scotland in Theatre Royal Dumfries, in the new concert “Bitácoras” Oscar Edelstein from Argentina plays his “un-classic” piano accompanied by tapes and texts, with vocals and video made by Welsh multimedia artist Deborah Claire Procter.
As a composer, pianist and researcher Edelstein is well known for his blend of music that mixes the popular, classical and contemporary - making him original, hard to define, and often considered as leading the avant-garde from Latin America.
“Bitácoras” translates as “binnacle” and refers to the ship’s logs which are usually kept on long sea voyages. In ancient times it included a book where sailors recounted their travels and recorded everything that happened. A binnacle is the place where this valuable information was stored to protect it from adverse weather conditions and the vicissitudes of the journey.
Edelstein’s composition is acknowledged by many as crucial in the map of Latin American contemporary music, opera and performance.
Colleagues and critics over the years have compared his music to “á la free jazz” or to names like Cecil Taylor, Zappa, King Crimson, Cage, Varèse, Bartok, Piazzolla, and one conductor even described directing his orchestral work “Cristal Argento I” as like being inside a Picasso painting. But as Edelstein has said, more important than any generous comparison, it’s about originality and being decisively Latin American with all the paradox, passion and politics which that implies.
This recital is a homage to the art of the score and to the idea that every aspect of music can be contained on paper - a tribute to the wise art of hands as encrypted in notations, drawings, poetry - the writings of an ancient journey which for us creates the only reality that matters.
Bitácoras [Pronounced bee-tah-koh-rah]